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HistoryRhodes Pre-PianoRhodes PianoBassFender Rhodes 73 Suitecase (Silver Top)The Army Air

HistoryRhodes Pre-PianoRhodes PianoBassFender Rhodes 73 Suitecase (Silver Top)The Army Air Corps piano was invented all the way through universe War II by Harold Rhodes (1910-2001) in an attempt to motivate a piano that injured soldiers could play while lying in a hospital bed. Rhodes built the first model influence 1942, a 29-note keyboard riding aluminum tubing from a B-17, ultimately known as the Army demeanor Corps round model piano. The success that followed led to an interest to develop this leisure activity a commercial production after the strife. The Rhodes pianissimo evolved from its successor, the electrified post-war Rhodes Pre-piano over the 1946 to 1950s timeframe, to an ahead design launched as the Rhodes PianoBass in 1959.Where significance a bourgeois piano both key causes a hammer to request a agree of three strings, in a rhodes piano each hammer strikes a single metal tine instead. The result is a unique, fat sound disguise a bellish attack and good aid. Fender buyoutFender Rhodes Mk I 88 StageRhodes Mk I 88 SuitecaseRhodes Mk II seventy three StageLeo Fender of fender dulcet Instruments Corporation, accordingly called the Fender Electric part Company, entered a joint venture duck Harold Rhodes in 1959, and they produced the devices as six years. thanks to a result, Rhodes instruments were referred to as Fender Rhodes for 15 years.The first framework moneyman product became the piano Bass in 1959, and no other models were mass-produced until beside the CBS takeover of Fender. right through january 1965 CBS bought the fender company because 13 million dollars, and shortly afterwards the 73 and 61 least Fender Rhodes Electric piano went into production. The ’60s also saw the framework rhodes Celeste, the Student/Instructor models and systems owing to totally for the very rare Domestic models. prominence 1970 the more portable Mk I Stage brand was added to the affiliate seeing positively as the two 88 note Stage and Suitcase models, and in 1974 the brand name was changed from “Fender Rhodes” to just “Rhodes”. The Rhodes went thanks to continuous internal improvements: the hammers became all plastic, the pedestals changed shape (and were bare for a short while, shelter felt was on the underside of the hammer), the pickups were altered, and the tine structure modified to endure fresh wear. The Mk II model was introduced in late 1979.Also manufactured for a brief period was the Rhodes Mk III EK-10 which had analog oscillators and filters alongside the existing electromechanical elements. The overall bring about was that of a Rhodes piano also a synthesizer being played simultaneously. Compared with the new polyphonic synthesizers being marketed at the same time it was limited in scope further sound, and prohibitively few units have been sold.The final classic rhodes was the Mk V, introduced in 1984, also thought to be the most reliable Rhodes instrument[who?]. among distinctive improvements, undeniable had a lighter body further all new hoopla with an improved cam, unraveling the hammerstroke by 23%. Due to the competition from digital and contrapuntal synthesizers and the introduction of MIDI, production of Rhodes instruments was stopped ultimate that year (1984). ModelsThe first model produced by Fender-Rhodes was the 32-note PianoBass in 1959. This was followed by the Fender rhodes Electric Piano (1965), FenderRhodes Electric Piano Mk I (1970) and Rhodes charismatic pianissimo Mk II (1979) which changed into continuously improved besides developed, but housed in about the same construction.From 1970, both the Mk I Stage again overnighter models were available in 73- and 88-note versions. The overnighter included a built in pre-amp with the great Stereo-Vibrato, plus a cabinet with quadraphony amplifier and speakers. Starting in 1980, a 54-key version was also produced. In 1984, the go on tide of production, the Rhodes Mk V was released, but only 2000 were produced.A increased Rhodes Mark 7 changed into introduced at NAMM 2007 and MusikMesse 2007, featuring the same electromechanical design as the ingrained instrument, but ensconce a new futuristic look and number of improvements. Sound-producing mechanismTuning forks of  Fender Rhodes Mk IThe Rhodes piano’s tone-generating principles are derived from the concept of an asymmetrical tuning fork, with a stiff wire (called a “tine”), struck by a felt-tipped (neoprene rubber-tipped after 1970) hammer, acting as one side of the tuning fork, again a counterbalancing resonating tone bar above the tine acting as the other side. This personality generator kit’s vibrations are consequently picked up by an electromagnetic pickup (one for each tine), and amplified. The pickups’ output is fed to an amplifier, which can equal adjusted to negotiate the desired volume.The sound produced has a bell-like character not unlike a vibraphone, celesta or glockenspiel. Because the instrument produces sound electrically, the signal can be processed to yield many distinctive timbral colors. Often the motion is processed through a stereo low-frequency pan oscillation (which was called Vibrato on the Rhodes fanfare panel) effects unit, which pans the signal back and forth between proper and estranged channels. palpable is this “rounded” or chiming sound that is referred to as the classic Rhodes sound, which can be heard on, for example, many of Stevie Wonder’s or Herbie Hancock’s songs. This “chiming sound” is, since an example, used in the Radiohead rock-and-roll “Subterranean Homesick Alien” from the album OK computer. The preamp with vibrato became included on the original FenderRhodes Electric Pianos besides after 1970 (with quadraphony panning) on the “suitcase” models; the “stage” models deficit the preamp also the amplified speaker cabinet.During the 1980s a set of rhodes modifications done by a company called “Dyno My Piano” became popular, inspired by way of by oneself particular and very famous rental piano in L.A., the E-Rhodes, which can be heard on many information from that time. The modifications made the sound brighter, harder, again more bell-like, bringing outer more of the attack in the moneyman resultant and making cut through a mix like a grand pianissimo. For instance, when notes are played forcefully, the potent turns into less sweet, as nonlinear distortion creates a characteristic “growling” or “snarling”, called “bark” by pianists. Skilled players can contrast the sweet and rough sounds to create an extremely expressive accomplishment. This sound was emulated via the Yamaha DX7 mask a patch that was extremely popular during the 80’s (speculate DX7 moneyman). See alsoDX7 RhodesElectric pianoWurlitzer electric pianissimo References^ a b c d e f “Harold Rhodes, 89, Inventor of an Electronic Piano”. The more York Times, Jon Pareles, January 4, 2001. ^ a b c d e f g h i “MUSIC; A 70’s Castoff execution to the Bandstand”. The New York Times, David R. Adler, July 22, 2001. ^ “Catching Up: Dngelo rown Sugar”. The Wall Street Journal, Jim Fusilli, July 3, 2009. ^ “Instruments: turning On Students”. instance Magazine, nov 1, 1968.,9171,839594,00.html. ^ “Rhodes reborn seemly In Time in that Winter NAMM ’07”., jan 08, 2007. ^ “Rhodes mark 7”. Rhodes melody Corporation. Retrieved 2009-04-13.  out linksRhodes Music corporation – The new Mark 7 manufacturer’s website.The Rhodes Supersite The dedicated website since 1996. Categories: red-blooded and electronic keyboard instruments | pianissimo | Musical agency manufacturing companies | Piano manufacturing companies | former CBS corporation subsidiariesHidden categories: All articles screen specifically-marked weasel-worded phrases | Articles with specifically-marked weasel-worded phrases from february 2010

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